$199 Original price was: $199.$139Current price is: $139.
WLKR Upright Bass captures the soul of a 200+ year old double bass, masterfully played by legendary Hein van de Geyn – Chet Baker’s final bassist and collaborator with jazz greats for over three decades. This comprehensive Kontakt library features complete articulations (sustains, slides, hammer-ons, harmonics, falls, soft notes), 4 round robins, 5 velocity layers, dual finger techniques, 6 audio channels, built-in FX, and authentic vibrato. More than samples – it’s two centuries of musical history at your fingertips.
$199 Original price was: $199.$139Current price is: $139.
WLKR Upright Bass captures the soul of a 200+ year old double bass, masterfully played by legendary Hein van de Geyn – Chet Baker’s final bassist and collaborator with jazz greats for over three decades. This comprehensive Kontakt library features complete articulations (sustains, slides, hammer-ons, harmonics, falls, soft notes), 4 round robins, 5 velocity layers, dual finger techniques, 6 audio channels, built-in FX, and authentic vibrato. More than samples – it’s two centuries of musical history at your fingertips.
$199 Original price was: $199.$139Current price is: $139.
The WLKR Upright Bass was born from this idea that some instruments transcend mere tools—they become vessels of history. When we encountered this 200+ year old double bass in the hands of master jazz musician Hein van de Geyn, we knew we had found something extraordinary. This wasn’t just another bass; it was a living artifact that had weathered centuries of music-making, carrying within its wood and steel the echoes of countless performances, the dreams of traveling musicians, and the gravitas of concert halls across Europe.
Our approach was simple yet reverent: capture not just the sound, but the soul. Hein Van de Geyn, who has been the instrument’s companion for over 30 years and shared stages with legends like Chet Baker, Toots Thielemans, and Lee Konitz, brought his decades of mastery to every recorded note. We meticulously sampled every articulation, every nuance, every whisper and roar this magnificent bass could produce. Mixed by sought after engineer Chris Weeda, the result is more than a sample library—it’s a bridge between the past and present, allowing modern producers to channel two centuries of musical history into their compositions while honoring the legacy of both the instrument and its current master.
Hein van de Geyn (born July 18, 1956, in Schijndel, Netherlands) is a distinguished jazz double bassist, composer, bandleader, and educator. After studying classical violin for 15 years, he transitioned to electric bass as a teenager before ultimately finding his voice on the double bass.
Van de Geyn worked in the United States during the early 1980s, living in Seattle and San Francisco, before returning to Europe in 1983, where he established himself as one of the continent’s most sought-after bassists. Throughout his three-decade career, he performed with jazz legends including Chet Baker, Toots Thielemans, and Lee Konitz.
His groundbreaking Comprehensive Bass Method has influenced a generation of bassists and is widely regarded as one of the leading pedagogical works for jazz double bass. In 1996, he became head of the bass section in the jazz department at the Royal Conservatory in The Hague, and in 2004, he became the sole owner of Challenge Jazz Records.
In 2009, Hein van de Geyn relocated to the Cape of Good Hope in South Africa, where he continues his work as a performer, educator, and author.
Piano Used: Blüthner Style 6
Behind WLKR’s clean, uncluttered interface lies months of obsessive engineering. We’ve built complex systems of round robins, velocity switching, and dynamic articulation blending that work invisibly beneath the surface, delivering the most natural, expressive bass performance possible. Every slide, harmonic, and finger movement has been meticulously programmed to respond exactly as the real instrument would. Yet our design philosophy was always simplicity first—we wanted producers to focus on making music, not wrestling with parameters and sub-menus. The interface gives you everything you need without overwhelming you with what you don’t. Load it up, play a key, and instantly you’re connected to two centuries of musical history.
Select your preferred finger technique, adjust release sample volumes, add room background noise, or include extra fretboard movement sounds—all with simple, intuitive controls. Your six articulations are conveniently mapped from C-2, with options to play open notes when available or follow natural hand positions with real vibrato. The Mix panel provides access to six mic positions for custom blending, complete with ten sound presets and the ability to save your own. The FX panel offers five carefully chosen effects: subtle compression, room reverb, subsonic boost, custom tone shading, and dirt distortion (if it works for Chris Wood of Medeski Martin & Wood, it can work for you). A special feature allows bypassing Kontakt’s main output, sending all channels to separate outputs for complete mixing control with your own plugins. The complexity serves the music; the interface serves the musician.
Intel Macs (i5 or higher): macOS 10.14, 10.15, 11 or 12 (latest update) Apple Silicon Macs (via Rosetta 2 & natively on ARM in Standalone or in hosts that support it): macOS 11 or 12 (latest update)
Windows 10 or 11 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM Graphics hardware support for OpenGL 2.1 or higher
Yes you can. Once you have purchased this, you can use it freely.
Unfortunately we don’t offer refunds on any software based release. Please contact us if you have any problems though.
Your choice.
Minimum 8GB. Kontakt allows you to purge the samples and will then only load the samples you are playing into RAM as you play them. This is not a problem with SSD drives but with spindle HD drives you will have to update the sample pool as you go.
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